There Is No Such Thing as a Fish by Carolyn Kirschner In the framework of S+T+ARTS EC(H)O – Challenge 3: Exploring the Physics of Life The project Carolyn Kirschner residency project, There Is No Such Thing as a Fish, is an artistic investigation into the zebrafish as a model organism in scientific research, examining its socio-cultural […]
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The Perfect Perfect Dirty by Johanna Bruckner In the framework of S+T+ARTS EC(H)O – Challenge 2: Exploring Human – AI Relationships The project Johanna Bruckner is pursuing research at the intersection of AI, queer theory, ecology, and posthumanism, focusing on the interface between the body, affect, and technology from the perspective of quantum physics. The project
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In diese Welt geworfen by Theda Nilsson Eicke In the framework of S+T+ARTS EC(H)O – Challenge 1: Modeling the Mind The project Theda Nilsson-Eicke is developing a new theater piece for the “Modeling the Mind” challenge, derived from a deeply personal family situation but generalized to explore themes such as the limits of care and mental
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Beginning September, three artists of the S+T+ARTS4WATER II residency programme, supported by the European Commission, project coordinator VITO and the partners GLUON and Arca Futuris participated to the Ars Electronica Festival in Linz.
S+T+ARTS4WaterII at Ars Electronica 2025 Read More »
As part of the Afropean Intelligence Residency Program.Challenge “Intercultural AI: Weaving Worlds through Art and Algorithms” The selected projectUntangler: Worlds Reimagined Untangler is a cross-cultural revisit on African realities to create new worlds through informed and corrected/decolonized lens of Artificial Intelligence(AI) prompting a removal of bias in LLMs(Large Language Models) on what African realities through
Untangler: Worlds Reimagined by Peace Olatunji Read More »
As part of the Afropean Intelligence Residency Program.Challenge “Provenance and Social Memory” The selected projectTERRITOIRE TISSés: Kuba Royal Art between Tradition and (R)evolution Territoires tissés (Woven Territories) is a project that traces the journeys and trajectories of various Congolese art objects since their contact with the West. Focusing particularly on the ancestral techniques of Kuba
Territoires tissés by Melisa Kayowa Read More »
As part of the Afropean Intelligence Residency Program.Challenge “Futurism and Geolocation” The selected projectMobility as Memory Mobility as Memory is a creative research project that reimagines how people move through the city of Kinshasa—not just as transport, but as a powerful way of remembering. Many of the roads and structures in Kinshasa today were built
Mobility as Memory: Kinshasa’s Living Map by Chinedum Muotto Read More »
As part of the Afropean Intelligence Residency Program.Challenge “Digital Lukasa: An Intelligent Archival Tablet” The selected projectThe Memory Performer The Memory Performer is an artistic project that reimagines the traditional Luba memory tablet, the Lukasa, as a digital device. The project aims to preserve culture and community memory in the DRC through artificial intelligence. The
The Memory Performer by Mahoutondji Kinmagbo Read More »
As part of the Afropean Intelligence Residency Program.Challenge “ZaZi: An African Educational AI Model” The selected projectLoRAs as an Archive, A Living Archive LORAs as an Archive, A Living Archive is an interactive art project that explores how memory and possibility can be reactivated by transforming archives into a living immersive installation through the use
LORAs as an Archive, A Living Archive by Evans Akanyijuka Read More »
As part of the Afropean Intelligence Residency Program.Challenge “Beyond Borders: AI, Climate, and Resource Justice in Africa” The selected projectCry to the Water Cry to the Water is an immersive, AI-facilitated ceremonial experience exploring how ancestral knowledge, particularly African water rituals encoded in traditional music, can shape ethical, spiritually grounded uses of AI to address
Cry to the Water by Chipo Mapondera Read More »
