Cry to the Water by Chipo Mapondera
As part of the Afropean Intelligence Residency Program.
Challenge “Beyond Borders: AI, Climate, and Resource Justice in Africa”

The selected project
Cry to the Water

Cry to the Water is an immersive, AI-facilitated ceremonial experience exploring how ancestral knowledge, particularly African water rituals encoded in traditional music, can shape ethical, spiritually grounded uses of AI to address climate and cultural crises. Through an exchange between Tunisian and Zimbabwean water music traditions, the project activates the ecological knowledge embedded in ancestral ceremonies to respond to water scarcity, climate crisis, and resource justice, by developing a community-led dataset and ceremonial AI trained on music, ritual, and oral histories. Projection and spatialised sound transform the installation into a space for healing ecological grief, deepening cultural connections, and envisioning sustainable futures grounded in ancestral intelligence.
Host institution
INTERFERENCE, Tunis (TN)
European partner
CHRONIQUES, Marseille (FR)
The artist
Chipo Mapondera

Chipo Mapondera is a Creative Technologist at the intersection of African heritage and emerging technologies, who channels the ancestral continuum through digitally facilitated experiences and speculative design. Rooted in ritual and indigenous technologies, her work synthesises tradition and a multilayered, diasporic artistic expression, offering contemporary portals into ancestral memory and knowing.
& Check-out the other selected projects for the Afropean Intelligence Residency Program:
+ Challenge 1: Intercultural AI: Weaving Worlds through Art and Algorithms | “Untangler: Worlds Reimagined” – Peace Olatunji
+ Challenge 1bis: “Decoding Egwu: reclaiming indigenous intelligence through AI, dance and Igbo” – Emmanuel Ndefo & Dan Xu
+ Challenge 3: Plural Computation | “The Affogbolo’s Home” – Pierre-Christophe Gam
+ Challenge 4: Psychogeography and the Influence of AI | “Bursting the last bubble” – Tamer Elshabrawy
+ Challenge 5: Archives & Memory | “Adorned memory: Reimagining Egyptian Indigenous Archives Through Jewellery” – Khanya Mthethwa
+ Challenge 6: ZaZi: An African Educational AI Model | “LORAS AS AN ARCHIVE – A LIVING ARCHIVE” – Evans Akanyijuka
+ Challenge 8: Digital Lukasa: An Intelligent Archival Tablet | “The Memory Performer: digital reincarnation of Luba wisdom” – Mahoutondji Kinmagbo
+ Challenge 9: Provenance and Social Memory | “TERRITOIRE TISSé: Art Royal Kuba entre tradition et (R)évolution” – Melisa Kayowa
+ Challenge 10: Futurism and Geolocation | “Mobility as Memory: a decolonial AI cartography of Kinshasa” – Chinedum Muotto