S+T+ARTS Buen-TEK Prize Buen-TEK

S+T+ARTS Prize Buen-TEK

+ Winners

Grand Prize

Rishpa Tigrashpa, Ir y Volver: Hilar el pasado, presente y futuro, el arte y la vida
Inty and Yauti Muenala

Ecuador

Counter-Cartographies of Resistance: Innovation and Ancestral Memory
Voluspa Jarpa

Chile

Prizes of Distinction

Cuna de humelades
Leonel Vásquez

Colombia

El Alto Aesthethics
El Alto Aesthethics

Bolivia

Honorable Mentions

Imaginary Atlas, Amazonia
Gabriela Bìlá

Brazil

Interspecies Architectures
with native bees
João Machado

Brazil

Geography of Equinoctial Plants: Counter-Taxonomy and Relational Ecologies
Juan Cortés

Colombia

Jury Statement

For all the organizations involved in Buen-TEK, this project has been an exciting journey into ancestral knowledge and into many forms of local, traditional, ecological, and grounded ways of knowing. The work of the jury that assessed more than 120 applications for the S+T+ARTS Buen-TEK Prize was no different. The level of the applications was very high, and it included inspiring responses to what we can learn from art projects that foreground traditional knowledge, Indigenous wisdom, Lo-TEK, and Buen Vivir, and that propose creative, community-centred, and ecologically grounded approaches to technology, economy, and society.
We were pleased to see that many applicants went beyond the more obvious interpretations of the themes of our call and surprised us with projects embedded in contemporary practices, often rooted in specific territories or responding to urgent historical conditions that remain little known to wider audiences.
The selected works demonstrate the diversity and relevance of Buen-TEK today. Across the Grand Prizes, the Prizes of Distinction, and the Honorable Mentions, the selected artists present a wide variety of powerful artistic approaches to themes such as memory, territory, and resistance, showing how knowledge can be transmitted through embodied practices and critical re-readings of history. Their projects also engage with collective cultural practices, speculative imaginaries, interspecies relations, and alternative systems of knowledge.

Together, these projects show that technology can be understood not only as digital or industrial infrastructure, but also as a set of practices rooted in relationships, care, and collective imagination. We warmly congratulate all the winners and participants, whose work contributes to imagining more plural and sustainable ways of living together.

The S+T+ARTS Buen-TEK Grand Prize
The two Grand Prize Winners are Yauri Muenala with the project “Rishpa Tigrashpa, Ir y Volver; Hilar el pasado, presente y futuro, el arte y la vida” and Voluspa Jarpa with the project “Counter-Cartographies of Resistance: Innovation and Ancestral Memory”. Each Grand Prize Winners will receive 10.000 euros and their projects will be exhibited in the IMPAKT Festival 2026 in Utrecht.

The S+T+ARTS Buen-TEK Prize of Distinction
The Jury also awarded two Prizes of Distinction, one to Leonel Vasquez with the project “Cuna de humedales” and one to El Alto Aesthetics by the El Alto Aesthetics collective. Each Prize of Distinction Winners will receive 5.000 euros.

Honorable Mentions
The jury extended three Honorable Mentions to projects that stood out among all the applications for their quality and distinct approaches. The jury hopes these Honorable Mentions will be received as a recognition of the artists’ work and as an encouragement to continue developing their practice.

+ Jury and Advisors

Arjon Dunnewind


Arjon Dunnewind is director of IMPAKT [Festival and Centre for Media Culture] in Utrecht, The Netherlands. He enjoys constructive controversy and sees art as the early warning mechanism that is essential to our current media-driven society. Dunnewind studied Fine Arts and Media at the Utrecht School of Arts from 1985 to 1991. In 1988 he organized the first IMPAKT Festival and in 1993 he established the IMPAKT Foundation. Dunnewind has curated exhibitions and screening programmes for among others the Museo de Bellas Artes in Buenos Aires, the NCCA in Moscow, RURU Gallery in Jakarta, transmediale Berlin and Ars Electronica Linz. He has worked as an advisor for the Dutch Film Fund, the Dutch Mediafonds, Fonds BKVB and the Mondrian Fund.

Elisa Arca Jarque


Elisa Arca Jarque (PhD in Communication and Culture, York University) is a researcher and board member of Alta Tecnología Andina (ATA). She has served as a project coordinator for the Peruvian video art repository ePPA Space and the essay collection The future was now: 21 years of video and electronic art in Peru. Her writing has been published in book anthologies in the field of media arts and experimental film.

Nataniel Alvarez


Visual artist and cultural manager. He lives and works in Punta Arenas, in the Magallanes region, at the southern tip of South America. Co-founder of the artistic collective Últimaesperanza. His experimental practice has led him to explore the vast territory of Fuego/Patagonia, ice fields, Magallanes fjords and Patagonian channels, the vast pampas of Tierra del Fuego, and the Antarctic continent. His work seeks to recognize the more than human elements of Patagonia and highlight the importance of memory and identities.
He is co-founder and director of the Liquenlab laboratory, a space where new forms and interpretations of the territory are tested.

Sandra Uiloa


Visual/Media Artist, since 2004 she has co-directed the art collective “ULTIMAESPERANZA” and the international contemporary art and new media event “LUMEN” in the Magallanes region. She is also part of LIQUENLAB, where she curates exhibitions, talks, and workshops. She is currently continuing her artistic research, delving into a series of attentive listenings to the ñirre forests, natural radio, and the creation of sound sculptures from glacial clay and biomaterials. Her proposals attempt to reflect on identities, colonization, and ecology. At the same time, she designs and conducts workshops and laboratories that promote the intersection of disciplines such as the arts and technologies. As a result of this work, in 2021 she opened a counter-education space called “AULA LIQUEN” (LIQUEN CLASSROOM), where a diverse group of children explore the arts from their unique perspectives, with a strong emphasis on collective and situated work.

Anna Pinotti Blanch


Anna Pinotti is Head of Projects at HacTe, Barcelona’s Art, Science and Technology Hub. Founded in 2021, this non-profit association brings together Catalan institutions from artistic, scientific, academic and technological fields who are interested in exploring and experimenting with transdisciplinary practice and research to generate complex knowledge.
She has a degree in Audiovisual Communication from the University of Barcelona and a Master’s in Cultural Management from the Open University of Catalonia and the University of Girona. She has worked as a producer, manager and cultural consultant, supporting artists, organisations and public institutions in developing cultural and artistic initiatives, cultural public policies and career development. Building on her experience at the Basque Country-based consulting firm Conexiones Improbables, she focuses her current work on hybrid processes that connect the arts with other sectors and disciplines. 

Fabiane Morais Borges


Fabiane Morais Borges is a Brazilian psychologist, researcher, artist, and curator working at the intersection of subjectivity, art, science, and future imaginaries. She holds a PhD in Clinical Psychology and a postdoctoral degree in Art, Science, and Technology, is the creator of Psique.Space, and the developer of SACI-E (Subjectivity, Art, and Space Sciences), an art–science program developed at Brazil’s National Institute for Space Research. She is currently a researcher and Art Director of LACO – Laboratory of Oceanic Art and Science, based at the Oceanographic Institute of the University of São Paulo, where she develops transdisciplinary projects connecting contemporary art, science, and collective imagination. 





S+T+ARTS Buen-Tek is co-funded by the European Union, under the STARTS – Science, Technology and Arts initiative of DG CNECT (GA no. LC- 03568052). Views and opinions expressed are those of the author(s) only and do not necessarily reflect those of the European Union or DG CNECT. Neither the European Union nor the granting authority can be held responsible for them.